Drawings

Drawing-collage, from the series "Cypresses in the Night", 100x70cm, mixedmedia, 2019.
Indian ink, graphite and collage.
Drawing, from the series "Cypresses in the Night", 100x70cm, mixedmedia, 2019.
Indian ink and siberian charcoal.
Drawing in combination with a lino cut, from the serie " terug naar de ruimte ", back to the space, 30x40cm, 2019.
Graphite and China ink.

Project/Exhibition/NKvt/Veere/Schotsehuizen/Zeeland.
Drawing, from the series "terug naar de ruimte", back tot the space, 100x70cm, mixed media, 2019.
Graphite, siberian charcoal and oil pastels.

Project/Exhibition/NKvt/Veere/Schotsehuizen/Zeeland.
Drawing, from the series "terug naar de ruimte", back tot the space, 100x70cm, mixed media, 2019.
Graphite, siberian charcoal.

Project/Exhibition/NKvt/Veere/Schotsehuizen/Zeeland.
Drawing, from the series "terug naar de ruimte", back tot the space, 100x70cm, mixed media, 2019.
Graphite, China ink and Acrylic.

Project/Exhibition/NKvt/Veere/Schotsehuizen/Zeeland.
My studio, november 2019.
Drawing, from the series "terug naar de ruimte", back tot the space, 100x70cm, mixed media, 2019.
Graphite, China inkt and siberian charcoal.
Drawing, from the series "terug naar de ruimte", back tot the space, 100x70cm, mixed media, 2019.
Graphite, China ink, coloured pencils and siberian charcoal.
Studio view with a painting on canvas, from the series Cypresses in the night, 70x50cm, 2019.
drawings on beige paper, 9x30x21cm, from the series "Cypresse in the night", 2019.
A combination of mixed media and collages.

Drawing on beige paper, from the series Cypresses in the night , 21x30cm, mixed media, 2019.
coloured pencils with Indian ink and siberian charcoal.
Drawing on beige paper, from the series Cypresses in the night , 21X30cm, mixed media, 2019.
Indian ink with coloured pencils.
Drawing, first part of an untiteld dyptich, mixed media, 100x70cm, 2019.
"I think what I mirror the most deeply is the work that is grounded either that you see or feel an influence of nature, or that it is grounded by the lines in the periphery that suggest a frame. They always work wonderfully to take you into the work and your eye is welcome to move around. I think the linear aspects are suggestive not only of nature, your muse, but also there is a deeper connection to ( I don`t want to say religious as that is too restrictive ), but perhaps spiritual is the correct word. Work that takes you deeper into yourself. But having said that, on some level the linear movement feels like the essence of the cross, not literally, but the movement horizontally is
"of the air " and the vertical is "grounded in the earth". So spiritual and soulful at the same time."

Denise Tripp 13 July 2019
a selection of small pieces, in my studio, June 2019.
A lot of paintings, and small drawings.
Drawing, from the series " Dans la mouvance des arbres", mixed media, 100x70cm, 2019.
Black en white photo, in my studio, 2019.
Dyptich, 2x100x70cm, untiteld, mixed media, 2019.
Drawing, from the series "schaduwen", mixed media, 56x77cm, 2019.
In my process as an artist, i try to create poetic abstract images, inspired by Nature as my muse, with a strong tendency towards minimalism.

One can see a wide landscape with a low horizon, or an empty place, with trunks reaching into the space, trees between the rocks, silhouettes in the movement, shadows in the space, shadows in the sky. Together, it's both chaos and harmony, noise and silence, earthly and ethereal, full and empty, fragile and powerful.

It is a form of handwriting, in which the strokes and rhythm of the brush convey an important statement.

It's comparable to a musical score. Just like a musician, artists have to organise the chaotic movement and capture the dynamic balance. Instead of musical instruments, they use pencils, brushes, pens, crayons, and so on...

My art could be described as a poetic visualisation of the sound of music.

In this way, my work is an attempt at abstraction.


Text : Danielle Vidal-Ausseil
translation : Neven Curlin
drawing, from the series " Histoire d' arbres " , 100x70cm, mixed media, 2019 .
drawing, "tussen schaduwen en lijnen", 77x56cm, mixed media, 2019.
"De lijn meer kan dan alleen omlijnen. De lijn is wel dat zij massa of vaste vorm kan suggereren " Herbert Read.
Drawing, from the series "schaduwen", 56x77cm, mixed media, 2019.